Chapter 04: The Talker

The one with the Chappaqua Squawker

ILLUSTRATION BY JASON SCHNEIDER


Editor’s note: In the late 2000s, John Korpics was the creative director at Fortune. He lived with his wife and kids way the hell up in Westchester County. Given his long commute, and being the industrious type, he decided to put that dreadful time to use. This column is what he came up with.


“Did you ask your father?”

“What did he say?”

“So I guess the economy’s getting better.”

“Why do you need to do that?”

“Did you finish your homework?”

“What should we do for dinner?”

“Again?”

Blah blah blah blah.

• • •

As I’m riding home on the 6:52 Peaker, selfishly enjoying the first quiet and peaceful minutes of my endless day, these are the truncated conversations that I hear coming from the woman in the seat across from me. I wait. Patiently. 

I’m sure she’ll make this a quick call and hang up because this is a peak train full of hardcore commuters. No rookies. 

And we know the rules and they are as follows: Have your ticket ready when the conductor comes around, keep your station bought bevy on the floor, not the seat in case it spills, and—unless you need to convey immediate information that will save American lives—stay off the effing phone. 

You most certainly do not ramble on with your daughter about dinner, homework, and sleep plans. That’s why nerd geniuses like Bill Gates invented Texting Lady. 

WTF.

In cases like this, I have a few options. I can ask her politely to keep her voice down and try to keep the conversation short, which is exactly what Mr. Rogers would do because he was a very calm and patient man and he truly loved humanity. 

But you see, I got about 5 hours of sleep last night, and I’ve been at a stressful job all day, and I’m sitting under these interrogation-strength fluorescent lights, so the Mr. Rogers in me is not going to show up.

The second option is to stare. Fix a concrete hard gaze on her that lets her know exactly what I think about the fact that she’s sucking up all of my relaxation time with her inane conversation. So I try the stare. And, well, she just stares back. 

Go ahead lady.

Another option, which I can only use if I get lucky, is that I wait until she gives the person on the other end of the conversation her cell number. “I might lose you. Just in case I do, my number is blah blah blah blah blah blah blah” and you write that precious number down—r-e-a-l-l-y carefully so you make sure you have it correct—and when you get home you sign her up for automatic phone messages from the home shopping network. “Please alert me by phone when you have a sale of any Wizard of Oz figurines. God bless.”

Unfortunately, I have no such luck tonight. The digits are not forthcoming, and so finally I resort to my last option (and my new favorite). I pull out my iPhone, take her picture, and blog about her.

Served.

Remember people, the train is a community, and if you aren’t a good neighbor, well, chances are someone’s going to leave a flaming bag of dog shit on your step.

Oh wait, she’s getting off. Chappaqua. Figures.


ORIGINALLY POSTED ON THURSDAY, 15 OCTOBER 2009 © JOHN KORPICS


John Korpics is VP/Executive Creative Director at Harvard Business Review. He has served as the design lead at Entertainment Weekly, Esquire, ESPN, Fortune, InStyle, and many other major newsstand magazines. His current commute is much effing easier.

Jason Schneider is a beloved Toronto-based editorial illustrator.


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